BACKGROUND MUSIC Sample Clauses
The Background Music clause defines the terms under which background music can be used within a particular context, such as in a commercial, event, or production. It typically specifies the permitted uses, any licensing requirements, and restrictions on the type or duration of music that can be played. For example, it may require that only royalty-free tracks are used or that proper attribution is given to the composer. This clause ensures that all parties understand their rights and obligations regarding background music, helping to prevent copyright infringement and clarify usage permissions.
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BACKGROUND MUSIC. Recordings, tape, or other mechanical devices or transcriptions may not be used to accompany or to provide background music to live stage performances in the theatre, except as may be authorized by the Board of Directors of the Association.
BACKGROUND MUSIC. The Key Phone user can enjoy the light background music channeled from System When Voice DISA Card incorporated.
BACKGROUND MUSIC. For any background music, choice and audio levels should be appropriate to the demographics of the customer base for the location as determined by Boost.
BACKGROUND MUSIC. Artist shall approve all background music played before and after Artist’s per- formance.
BACKGROUND MUSIC. Athletic Performer shall approve all background music played before and after Athletic Performer’s performance (if applicable).
BACKGROUND MUSIC. Subscription fees are payable by the customer for the period for which the service provider provides music files. The subscription includes a percentage for the copyright and the duplication of the music files by the service provider and a percentage for the payment of personality rights of performing artists and phonograms and film producers. This amount is stated and billed separately. The service provider undertakes to transfer this amount in full to a music rights organisation and/or other interested organisation. The customer guarantees that it has concluded or will conclude an agreement with both SABAM and Fair Remuneration in Belgium in relation to the playing of background music. The customer also guarantees, if there are also video files on the equipment, that it has concluded an agreement with SABAM for Belgium for showing the files provided by the service provider. Payment of these fees falls outside this contract. The service provider can only pay the above fees if the record company owning these rights to the music track or video clip is affiliated to the IFPI or one of its subsidiary organisations. The customer will only use the equipment for the playback of music files supplied by the service provider. The service provider will supply and replace the music files at its own discretion. New titles will be offered at regular intervals. The customer can only exert influence on the music collection by the means provided in the service provider’s programme. The customer is not permitted to remove or add software, music and/or video files beyond the capabilities of the service provider. The applicable subscription rates or one-off costs are applied to modifications of music and/or video files. Price increases as a consequence of the rates for the music or video rights, and neighbouring rights of whatever kind, are passed on in the subscription costs to be collected monthly or annually and are stated separately on the invoice. These price increases do not give any right to terminate the contract.