Casting Sample Clauses
The Casting clause defines the process and conditions under which actors or performers are selected for roles in a production. It typically outlines the producer's authority to choose cast members, any requirements for approval by other parties, and may specify procedures for recasting if necessary. This clause ensures that the casting process is clearly governed, helping to prevent disputes over selection and maintain the creative vision of the project.
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Casting. Casting decisions are made by Philadelphia Ballet’s Artistic Team on the basis of height, musicality, presence, behavior, work ethic and technique. Casting decisions are final and non-negotiable.
Casting. The Artistic Director makes all casting decisions after consulting with the NMBC artistic staff, and is responsible for all production matters. All casting decisions are final and non- negotiable. Dancers must fulfill their obligation to do ALL of the roles assigned to them, including understudying assignments. Conflicts will affect casting. All dancers must complete the conflict section for review and approval or disapproval. Simply stating a conflict exists does not guarantee an excused absence. If a dancer has a legitimate conflict with the rehearsal schedule, the dancer must request a meeting with the Artistic Director, preferably during the audition weekend or at casting.
Casting. A new Paragraph C. is added to CBA, Section 47 as follows:
Casting. The cast, director, artistic staff and design elements, including all replacements thereof and understudies therefore, shall be subject to the exclusive approval of the Essential Theatre.
Casting. Casting is the responsibility of the School Director who must consider the specific needs of an entire production. Dancers are required to accept the roles for which they are cast and are encouraged to think in terms of dancing as part of a complete production rather than dancing an isolated piece of the production that may or may not fit what they had in mind for themselves. Every member of the Company or Apprentice Company may not be cast in every performance, but are still expected to serve as understudies. Casting as an understudy should be considered as an opportunity to learn and dance a role, not as an unnecessary or unimportant task. Understudies are essential in every production and are often required to perform a role. Dancers not cast in a production are still expected to be present at all rehearsals and performances as understudies and in support of their fellow dancers.
Casting. In the case where class is to be observed for the purposes of casting, the Dancers will be notified of such no less than forty-eight (48) hours in advance, so that they may prepare accordingly.
Casting. As Speak About It hires Actor-Educators and Managing Actor-Educators, the organization is also casting. SAI welcomes diversity of candidates with different lived experiences, including (but not limited to) work experiences, gender identities and expressions, racial backgrounds, sexual orientations, sexual experiences, all body types and sizes, and folks who have lived experience with disabilities and neuro-atypicality. SAI works with high school and college students, so we seek Actor-Educators who are relatable for 16-24 year-olds.
Casting. ▇▇▇▇▇▇ will cast the actors for the Bespoke Content in consultation with the Customer.
Casting. On completion of 3rd Floor Slab Casting 10% of Total Consideration + GST as applicable On completion of Brick Work of Floor 10% of Total Consideration + GST as applicable On completion of POP 10% of Total Consideration + GST as applicable On completion of Flooring 5% of Total Consideration + GST as applicable On or before Possession 5% of Total Consideration + GST as applicable
Casting. A. Casting which is done outside the studio shall be conducted on a business- like basis, with regular business hours and telephone service.
B. No audition shall be conducted in a private hotel room or residence where the performer is alone with representatives of production, except that in the event that no alternative site is available for an audition, the performer shall be entitled to have a person of the performer’s choice present and allowed to maintain physical access to the performer at all times during the audition, provided that the person abides by applicable Company policies.”