Common use of REHEARSALS DURING PERFORMANCE WEEKS Clause in Contracts

REHEARSALS DURING PERFORMANCE WEEKS. (a) The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that: (1) Rehearsals during Performance Weeks shall not exceed the following: On a performance day – 2 hours On a performance day with dress rehearsal – 3 hours (allowed once a week) hours On the day preceding opening night* - 4 hours On the day preceding opening night with dress rehearsal – 5 On other non-performance days – 5 hours *opening night on tour is defined as the first performance of any tour. After five (5) consecutive nights spent in New York City a new tour begins. (2) The ARTISTS may be called upon to rehearse and/or perform not more than thirty (30) hours per week without incurring overtime and/or penalty payments as provided for in this Agreement, except in a dress rehearsal week where it can be thirty-two (32) hours without incurring overtime and/or penalty payments as provided for in this Agreement.. (3) The ARTIST shall not be required to rehearse within the two (2) hour period prior to the commencement of any performance, unless such rehearsal is scheduled under emergency conditions as herein defined and further provided that such Emergency Rehearsal is compensated for as provided in Paragraph 14(b) of this Agreement. Emergency Rehearsal shall be compensated at the prevailing rate. (4) The ARTIST shall be given one 5-minute break during each hour of rehearsal following a 55-minute rehearsal period. (5) The EMPLOYER shall not infringe upon the allotted free time after a travel call. Prior to the first scheduled rehearsal, ARTIST'S use of free time for class or personal warm-up may not be infringed upon (i.e. for costume fittings). (b) If the ARTIST shall be required to rehearse in excess of the maximum number of hours per day or per week, as above provided, he shall be paid not less than the rate of one-half (1/2) the hourly Overtime Rate for each such additional rehearsal half hour or fraction thereof. It is further agreed that spill-over overtime rehearsal as defined herein will be paid for at the rate of one-half (1/2) the hourly Overtime Rate for each additional half-hour of rehearsal or fraction thereof. In the event an ARTIST is required to rehearse a fourth (4th) consecutive hour, the first thirty (30) minutes of said 4th consecutive hour shall be paid at the Overtime Rate and any additional consecutive rehearsal time thereafter shall be paid for at the Penalty Rate in one-half (1/2) hour segments. (c) The first required service of an ARTIST shall not be sooner than thirteen (13) hours following the end of the last preceding performance or rehearsal period in the City of Origination. On tour, there shall be a twelve (12) hours interval following the end of the last preceding performance and the next required service. However, if to arrive at hotel, Company has to travel over thirty (30) miles or over sixty (60) minutes (whichever is longer) span is counted from time of arrival at hotel. (d) Rehearsal will be permitted on a day in which two (2) performances are given only in case of emergency, as defined herein, in which event the ARTISTS shall receive compensation as provided in Paragraph 21.(b) above. (e) If the ARTIST shall be required to rehearse at any time during a Free Day, the ARTIST shall be compensated at the ARTIST’s Free Day Rate as provided in Paragraph 14(j) (f) If the ARTIST is at any time required to rehearse during any one of the following times, his compensation for such period shall be as noted hereunder: (1) Rehearsals within the elapsed thirteen (13) or twelve (12) hour period

Appears in 1 contract

Sources: Collective Bargaining Agreement

REHEARSALS DURING PERFORMANCE WEEKS. (a1) The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that: (1) Rehearsals during Performance Weeks shall not exceed the following: On a performance day – 2 hours On a performance day with dress rehearsal – 3 hours (allowed once a week) hours On the day preceding opening night* - 4 hours On the day preceding opening night with dress rehearsal – 5 On other non-performance days – 5 hours *opening night on tour is defined as the first performance of any tour. After five (5) consecutive nights spent in New York City a new tour begins. (2) The ARTISTS may be called upon to rehearse and/or perform not more than thirty (30) hours per week without incurring overtime and/or penalty payments as provided for in this Agreement, except in a dress rehearsal week where it can be thirty-two (32) hours without incurring overtime and/or penalty payments as provided for in this Agreement.. (3i) The ARTIST shall not be required to rehearse within the two (2) hour period prior to the commencement of any performance, unless such rehearsal is scheduled under emergency conditions as herein defined and further provided that such Emergency Rehearsal or Artistic Emergency Rehearsal is compensated for as provided in Paragraph 14(b20(a)(7) and 20(a)(6) of this Agreement. Agreement which provides that Emergency Rehearsal or Artistic Emergency Rehearsal shall be compensated at the prevailing appropriate rate. (4) The ARTIST shall be given one 5-minute break during each hour of rehearsal following a 55-minute rehearsal period. (5) The EMPLOYER shall not infringe upon the allotted free time after a travel call. Prior to the first scheduled rehearsal, ARTIST'S use of free time for class or personal warm-up may not be infringed upon (i.e. for costume fittings). (b) If the ARTIST shall be required to rehearse in excess of the maximum number of hours per day or per week, as above provided, he shall be paid not less than the rate of one-half (1/2) the hourly Overtime Rate for each such additional rehearsal half hour or fraction thereof. It is further agreed that spill-over overtime rehearsal as defined herein will be paid for at the rate of one-half (1/2) the hourly Overtime Rate for each additional half-hour of rehearsal or fraction thereof. In the event an ARTIST is required to rehearse a fourth (4th) consecutive hour, the first thirty (30) minutes of said 4th consecutive hour shall be paid at the Overtime Rate and any additional consecutive rehearsal time thereafter shall be paid for at the Penalty Rate in one-half (1/2) hour segments. (cii) The first required service service, with the exception of travel on tour, of an ARTIST shall not be sooner than thirteen twelve (1312) hours following the end of the last preceding performance or rehearsal period in the City of OriginationColumbus, Ohio. On tour, there shall be a twelve (12) hours hour interval following the end of the last preceding performance and the next required service. However, if If the ARTIST is at any time required to arrive at hotel, Company has to travel over thirty (30) miles or over sixty (60) minutes (whichever is longer) span is counted from time rehearse during any of arrival at hotelthese intervals the hourly Penalty Rate will apply. (d2) AGMA agrees, upon application by the EMPLOYER, to grant the EMPLOYER a waiver of the rehearsal provisions as set forth in Paragraph 20(c)(1)(ii) of this Agreement, provided the EMPLOYER submits adequate proof to AGMA that a rehearsal was solely called due to an emergency and provided the ARTISTS rehearsed are those who are required to be rehearsed because of the emergency. If such waiver is granted, the EMPLOYER agrees to pay the ARTISTS Overtime Rate compensation as provided in Paragraph 12(a) of this Agreement. (3) Rehearsal will be permitted on a day in which two (2) full performances are given only in case of emergency, as defined herein, in which event the ARTISTS shall receive compensation as provided in Paragraph 21.(b19(c) above. (e4) If the On a performance day, no ARTIST shall be required to rehearse at any time during a Free Day, the ARTIST shall be compensated at the ARTIST’s Free Day Rate as provided in Paragraph 14(j)audition for roles for another production. (f5) If the ARTIST is at any time required to rehearse during any Rehearsal will be permitted following matinees only if there has been a one of the following times, his compensation for such period shall be as noted hereunder: and one-half (1) Rehearsals within the elapsed thirteen (13) or twelve (12) hour periodrest period from curtain down time prior to the commencement of such rehearsal unless agreed by ARTISTS.

Appears in 1 contract

Sources: Basic Agreement

REHEARSALS DURING PERFORMANCE WEEKS. (a) a. The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that: (1) Rehearsals during Performance Weeks i. The ARTIST shall not exceed the following: On be required to rehearse in excess of two (2) hours on a performance day – 2 hours On unless there is a performance day with dress rehearsal – 3 hours Dress Rehearsal, when the ARTIST shall not be required to rehearse in excess of three (allowed once a week3) hours On the day preceding opening night* - 4 hours On the day preceding opening night with dress rehearsal – 5 On other hours. The EMPLOYER shall schedule Dress Rehearsals on non-performance days – 5 hours *opening night on tour is defined as whenever possible. ii. On non-performance days during Performance Weeks, the first performance of any tour. After ARTIST may be required to rehearse not more than five (5) consecutive nights spent in New York City a new tour beginshours per day, i.e., rehearsals during Performance Week: A or B Other non-performance days: 5 hrs. 5 hrs. Day preceding opening night: 5 hrs. (incl. dress) 5 hrs. Opening night: 2 hrs. 3 hrs. (incl. dress) Subsequent performance days: 2 hrs. 2 hrs. (2) The b. ARTISTS may be called upon to rehearse and/or perform not more than thirty (30) hours per week without incurring overtime and/or penalty payments as provided for in this Agreement, except in a dress rehearsal week where it can be thirty-two (32) hours without incurring overtime and/or penalty payments as provided for in this Agreement.. (3) The ARTIST shall not be required to rehearse within the two (2) hour period prior to the commencement of any performance, performance unless such rehearsal is scheduled under emergency conditions as herein defined and further provided that such Emergency Rehearsal is compensated for as provided in Paragraph 14(bSubparagraph 43(c) of this Agreementbelow. Emergency Rehearsal shall be compensated at the prevailing rate. ARTISTS, on an individual and case-by-case basis, may request rehearsal within the two (2) hour period without additional compensation and subject to the Artistic Director’s approval. In case of injury or illness that occurs prior to or within a performance that prevents an ARTIST from performing, ARTISTS who are available may choose to participate in on-stage calls for purposes of blocking and spacing of up to fifteen (15) minutes without additional compensation. (4) The ARTIST shall be given one 5-minute break during each hour of rehearsal following a 55-minute rehearsal period. (5) The EMPLOYER shall not infringe upon the allotted free time after a travel call. Prior to the first scheduled rehearsal, ARTIST'S use of free time for class or personal warm-up may not be infringed upon (i.e. for costume fittings). (b) c. If the ARTIST shall be required to rehearse in excess of the maximum number of hours per day or per week, as above provided, he they shall be paid not less than the rate of one-half (1/2) the hourly Overtime Rate for each such additional rehearsal half hour or fraction thereof. It is further agreed that spill-over overtime rehearsal as defined herein will be paid for at the rate of one-half (1/2) the hourly Overtime Rate for each additional half-hour of rehearsal or fraction thereof. In the event an ARTIST is required to rehearse a fourth (4th) consecutive hour, the first thirty any fourth (304th) minutes of said 4th or more consecutive hour shall be paid at the Overtime Rate and any additional consecutive rehearsal time thereafter of service shall be paid for at the Penalty Rate in one-half (1/2) hour segments. (c) d. The first required service of an ARTIST shall not be sooner than thirteen (13) hours following the end of the last preceding performance or rehearsal period in the City of Origination. On tour, there shall be a twelve (12) hours interval following the end of the last preceding performance and the next required service. However, if to arrive at hotel, Company has to travel over thirty (30) miles or over sixty (60) minutes (whichever is longer) span is counted from time of arrival at hotel. (d) e. Rehearsal will be permitted on a day in which two (2) performances are given only in case of emergency, as defined herein, in which event the ARTISTS shall receive compensation as provided in Paragraph 21.(bSubparagraph 43(c) above. (e) f. If the ARTIST shall be required to rehearse at any time during a Free Day, the ARTIST shall be compensated paid at the ARTIST’s Free Day Rate as provided in Paragraph 14(jSubparagraph 19(k). (f) g. If the ARTIST is at any time required to rehearse during any one of the following times, his compensation for such period shall be as noted hereunder: twelve (112) Rehearsals within the elapsed or thirteen (13) hour off-span or twelve after an evening performance, the ARTIST shall be paid at the Penalty Rate as provided in Subparagraph 19(p). h. AGMA agrees, upon application by the EMPLOYER, to grant the EMPLOYER a waiver of these rehearsal provisions provided the EMPLOYER submits adequate proof to AGMA that a rehearsal was solely called due to an emergency and provided the ARTISTS rehearsed are those who are required to be rehearsed because of the emergency. If such waiver is granted, the EMPLOYER agrees to pay the ARTISTS Overtime Rate compensation as provided in Subparagraph 19(o) of this Agreement. i. Each performance series shall have at least one Dress Rehearsal run as a show run through to the extent possible. j. Between two (122) rehearsals that require full costume, hair, and make-up, the EMPLOYER shall use its best efforts to provide ARTISTS with at least a two (2) hour periodbreak in between rehearsals.

Appears in 1 contract

Sources: Collective Bargaining Agreement

REHEARSALS DURING PERFORMANCE WEEKS. (a) a. The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that: (1) Rehearsals during i. During Performance Weeks shall not exceed the following: On a performance day – 2 hours On a performance day with dress rehearsal – 3 hours (allowed once a week) hours On the day preceding opening night* - 4 hours On the day preceding opening night with dress rehearsal – 5 On other non-performance days – 5 hours *opening night on tour is defined as the first performance of any tour. After five (5) consecutive nights spent in New York City a new tour begins. (2) The ARTISTS ARTIST may be called upon scheduled to rehearse and/or and perform not more than thirty (30) hours per week without incurring overtime and/or penalty payments week. If an ARTIST is so scheduled, they will make a reasonable effort to alert EMPLOYER of said scheduling but failure to notify the EMPLOYER will not remove the EMPLOYER’s obligation to pay applicable Overtime Payments. ii. An ARTIST who is performing, cast in, or designated by the EMPLOYER as provided a Cover for a Performance shall not be required to rehearse in this Agreement, except in a dress rehearsal week where it can be thirty-excess of two (322) hours without incurring overtime and/or penalty payments as provided for on a performance day unless there is a Dress Rehearsal, when the ARTIST shall not be required to rehearse in this Agreement.. excess of three (3) hours except as set forth in (iv) below. The EMPLOYER shall schedule Dress Rehearsals on non-performance days whenever possible. iii. An ARTIST who is cast in or designated by the EMPLOYER as a Cover for a technical rehearsal or Dress Rehearsal shall not be required to rehearse in excess of five (5) hours on such rehearsal day, except as set forth in (iv.) below. iv. During a Performance Week, there shall be no rehearsals on a Sunday on which there is a Performance. In lieu of Sunday rehearsals, an additional one-half (1/2) hour rehearsal shall be added to each Tuesday, Wednesday, Thursday, and Friday of the Performance Week in question. v. The foregoing notwithstanding, any ARTIST not cast or designated by the EMPLOYER as a Cover for such Sunday Performance may be required to rehearse for no more than three (3) hours on such Sunday, which rehearsal(s) shall not extend past the time of the closing curtain of said Performance. vi. The daily schedule, including class, on days on which there is an evening Performance or technical rehearsal or Dress Rehearsal shall not extend beyond three (3) hours prior to the scheduled call for all ARTISTS performing, cast in, or designated by the EMPLOYER as a Cover for such Performance, technical rehearsal or Dress Rehearsal. vii. For those ARTISTS not performing or cast in or designated by the EMPLOYER as a Cover for such Performance, technical rehearsal or Dress Rehearsal, the daily rehearsal schedule shall not extend beyond 7:00 PM (seven). 2. On non-Performance days during Performance Weeks, the ARTIST may be required to rehearse not more than five (5) hours per day, or five and one-half (5-1/2) hours on Tuesdays, Wednesdays, Thursdays and Fridays in lieu of Sunday rehearsals when there is a Sunday Performance, i.e., rehearsals during Performance Week: A or B Other non-Performance days: 5 hrs. 5 hrs. Day preceding opening night: 5 hrs. (incl. dress) 4 hrs. Opening night: 2 hrs. 3 hrs. (incl. dress) Subsequent Performance days: 2 hrs. 2 hrs. 3. Outside the City of Houston, the ARTISTS shall not be required to rehearse within the two (2) hour period prior to the commencement of any performancePerformance and in the City of Houston the ARTISTS shall not be required to rehearse within the three (3) hour period prior to the commencement of any Performance, unless such rehearsal is scheduled under emergency conditions as herein defined and further provided that such Emergency Rehearsal is compensated for as provided in Paragraph 14(b24(b) of this Agreement. Emergency Rehearsal shall be compensated at the prevailing rate. (4) . The ARTIST shall be given one (1) five (5-) minute break during each hour of rehearsal following which break shall precede a fifty-five (55-) minute rehearsal period. . If a ballet, act or scene of a ballet exceeds fifty-five (555) minutes, EMPLOYER may request during a run through of such ballet, act or scene that ARTISTS postpone the break until the conclusion of the run through. The EMPLOYER ARTISTS shall not infringe upon the allotted free time after a travel callunreasonably refuse such request. Prior to the first scheduled rehearsal, ARTIST'S use of free time for class In no event shall ARTISTS be requested or personal warm-up may not be infringed upon (i.e. for costume fittings). (b) If the ARTIST shall be required to rehearse in excess of the maximum number of hours per day or per week, as above provided, he shall be paid not less longer than the rate of one-half one hundred and ten (1/2) the hourly Overtime Rate for each such additional rehearsal half hour or fraction thereof. It is further agreed that spill-over overtime rehearsal as defined herein will be paid for at the rate of one-half (1/2) the hourly Overtime Rate for each additional half-hour of rehearsal or fraction thereof. In the event an ARTIST is required to rehearse a fourth (4th) consecutive hour, the first thirty (30110) minutes of said 4th consecutive hour shall be paid at the Overtime Rate and any additional consecutive rehearsal time thereafter shall be paid for at the Penalty Rate in one-half (1/2) hour segments. (c) The first required service of an ARTIST shall not be sooner than thirteen (13) hours following the end of the last preceding performance or rehearsal period in the City of Origination. On tour, there shall be a twelve (12) hours interval following the end of the last preceding performance and the next required service. However, if to arrive at hotel, Company has to travel over thirty (30) miles or over sixty (60) minutes (whichever is longer) span is counted from time of arrival at hotel. (d) Rehearsal will be permitted on a day in which two (2) performances are given only in case of emergency, as defined herein, in which event the ARTISTS shall receive compensation as provided in Paragraph 21.(b) above. (e) If the ARTIST shall be required to rehearse at any time during a Free Day, the ARTIST shall be compensated at the ARTIST’s Free Day Rate as provided in Paragraph 14(j) (f) If the ARTIST is at any time required to rehearse during any one of the following times, his compensation for such period shall be as noted hereunder: (1) Rehearsals within the elapsed thirteen (13) or twelve (12) hour periodwithout

Appears in 1 contract

Sources: Collective Bargaining Agreement

REHEARSALS DURING PERFORMANCE WEEKS. (a) Performance Week Schedules The ARTIST may be called upon to rehearse during each Performance Week without the payment of additional compensation provided that:when the work schedule does not exceed thirty hours during performance weeks with fewer than six (6) performances and a schedule of thirty-three (33) hours during performance weeks with six (6) or more performances. In all instances a performance shall be counted as three (3) hours of service. (1) Rehearsals during Performance Weeks shall not exceed the following: On a performance day – 2 hours On a performance day with dress rehearsal – 3 hours (allowed once a week) hours On the day preceding opening night* - 4 hours On the day preceding opening night with dress rehearsal – 5 On other non-performance days – 5 hours *opening night on tour is defined as The Monday following the first performance of any tour. After five (5) consecutive nights spent in New York City week will be a new tour beginsFree Day and the Tuesday following the first performance week shall be the day off for the next week. 2) The EMPLOYER shall not infringe upon the allotted free time after a travel call. Prior to the first scheduled rehearsal, ARTIST's use of free time for class or personal warm-up may not be infringed upon (e.g., for costume fittings). b) Emergency Rehearsals 1) Rehearsal will be permitted on a day in which two (2) The performances are given only in case of emergency, as defined herein, in which event the ARTISTS may be called upon to rehearse and/or perform not more than thirty (30) hours per week without incurring overtime and/or penalty payments shall receive compensation as provided for in this Agreement, except in a dress rehearsal week where it can be thirty-two (32Paragraph 10(b) hours without incurring overtime and/or penalty payments as provided for in this Agreement..1. (32) The ARTIST shall not be required to rehearse within the two (2) hour period prior to the commencement of any performance, unless such rehearsal is scheduled under emergency conditions as herein defined and further provided that such Emergency Rehearsal is compensated for as provided in Paragraph 14(b) 10(b)8 of this Agreement. Emergency Rehearsal shall be compensated at the prevailing rate. (43) The ARTIST shall be given one 5-minute break during each hour of rehearsal following a 55-minute rehearsal period. (5) The EMPLOYER shall not infringe upon the allotted free time after a travel call. Prior to the first scheduled rehearsal, ARTIST'S use of free time for class or personal warm-up may not be infringed upon (i.e. for costume fittings). (b) If the ARTIST shall be required to rehearse in excess a maximum of one (1) hour of emergency rehearsal per day during performance weeks without the necessity of the maximum EMPLOYER compensating the ARTISTS for such emergency rehearsal provided, however, that the ARTISTS schedule in the first succeeding rehearsal week shall be reduced by the number of hours per day or per week, as above provided, he shall be paid not less of emergency rehearsal engaged in by the ARTISTS. Under no circumstance may an emergency rehearsal conclude later than the rate of one-half (1/2) the hourly Overtime Rate for each such additional rehearsal half hour or fraction thereof. It is further agreed that spill-over overtime rehearsal as defined herein will be paid for at the rate of one-half (1/2) the hourly Overtime Rate for each additional half-hour of rehearsal or fraction thereof. In the event an ARTIST is required to rehearse a fourth (4th) consecutive hour, the first thirty (30) minutes of said 4th consecutive hour shall be paid at the Overtime Rate and any additional consecutive rehearsal time thereafter shall be paid for at the Penalty Rate in one-half (1/2) hour segments. (c) The first required service of an ARTIST shall not be sooner than thirteen (13) hours following prior to the end start of the last preceding performance or rehearsal period in the City of Origination. On tour, there shall be a twelve (12) hours interval following the end of the last preceding performance and the next required service. However, if to arrive at hotel, Company has to travel over thirty (30) miles or over sixty (60) minutes (whichever is longer) span is counted from time of arrival at hotelperformance. (d) Rehearsal will be permitted on a day in which two (2) performances are given only in case of emergency, as defined herein, in which event the ARTISTS shall receive compensation as provided in Paragraph 21.(b) above. (e) If the ARTIST shall be required to rehearse at any time during a Free Day, the ARTIST shall be compensated at the ARTIST’s Free Day Rate as provided in Paragraph 14(j) (f) If the ARTIST is at any time required to rehearse during any one of the following times, his compensation for such period shall be as noted hereunder: (1) Rehearsals within the elapsed thirteen (13) or twelve (12) hour period

Appears in 1 contract

Sources: Basic Agreement