Common use of Requirement to Participate in Programs Clause in Contracts

Requirement to Participate in Programs. Additionally, the Ensemble Studio Artist may be required to rehearse, perform and participate in the following programs: (i) coaching classes and professional development programs; (ii) master classes; (iii) individual artist lectures; (iv) lecture demonstrations; (v) workshop demonstrations; (vi) concerts; (vii) shopping centre programs; (viii) Ensemble Studio productions; (ix) children's programs; (x) park concerts; (xi) Ontario Place performances; (xii) opera cabaret; (xiii) promotional work for the COC's corporate sponsors and Canadian Opera House Corporation; (xiv) workshops, concerts, lecture demonstrations, capsule or mini-versions of an opera, complete performances of an opera; (xv) dramatic coaching, movement or dance classes, vocal classes and private vocal instruction; (xvi) meetings called by the Engager; (xvii) residency programs; (xviii) outreach programs; and (xix) special Chorus situations as follows: (a) the Artist performing as a Soloist (not including understudy) may also sing Chorus parts in reduced operatic productions; and (b) where the Artist is expected to perform as a member of an ensemble designated by the composer as a recognizably individual character.

Requirement to Participate in Programs. Additionally, the Ensemble Studio Artist may be required to rehearse, perform perform, and participate in the following programs: (i) coaching classes and professional development programs; (ii) master classes; (iii) individual artist lectures; (iv) lecture demonstrations; (v) workshop demonstrations; (vi) concerts; (vii) shopping centre programs; (viii) Ensemble Studio productions; (ix) children's programs; (x) park concerts; (xi) Ontario Place performances; (xii) opera cabaret; (xiii) promotional work for the COC's corporate sponsors and Canadian Opera House Corporation; (xiv) workshops, concerts, lecture demonstrations, capsule or mini-versions of an opera, complete performances of an opera; (xv) dramatic coaching, movement or dance classes, vocal classes and private vocal instruction; (xvi) meetings called by the Engager; (xvii) residency programs; (xviii) outreach programs; and (xix) special Chorus situations as follows: (a) the Artist performing as a Soloist (not including understudy) may also sing Chorus parts in reduced operatic productions; and (b) where the Artist is expected to perform as a member of an ensemble designated by the composer as a recognizably individual character.