Rights in the Recordings Clause Samples

Rights in the Recordings. All rights of every kind in and to all photographs and sound recordings made hereunder in connection with Your Use of the Props (the “Footage”) shall be and remain the Your sole and exclusive property. Such rights shall include, without limitation, the perpetual and irrevocable right and license to Use and Re-Use said Footage in connection with the Production and any other productions (including, without limitation, any television, motion picture, internet or other new media production) (collectively, the “Productions”) as You may elect, and in connection with advertising, publicizing, exhibiting, merchandising, distributing and exploiting such Productions in any manner whatsoever and at any time by all means, media, devices, processes and technology now or hereafter known or devised in perpetuity throughout the universe. Neither We nor any other party now or hereafter claiming an interest in the Props and/or through Us shall have any right of action against You or any other party arising from or based upon any Use or exploitation of such Footage, whether or not such Use is claimed to be defamatory, untrue or censurable in nature. You shall not be obligated to make any actual Use of any Footage in the Productions or otherwise. This Section shall survive any termination, expiration and/or cancellation of this T&C.
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Rights in the Recordings. Producer shall own all right, title, and interest, including copyrights, in and to the Recordings, and any related materials created by Producer hereunder, for use in any manner or media now or hereafter known or invented throughout the world in perpetuity, subject to the Museum’s sole ownership of all existing intellectual property of the Museum, and each applicable rights holder’s ownership of any third-party intellectual property (including, without limitation, the works of art on display at the Museum) that may be depicted in the Recordings. The Recordings may only be used for the Project, and for promotion of the Project and not in any other context. Any additional uses or permissions must be agreed in writing prior to the commencement of the Recordings. Producer will not use the Recordings in any way that would tend to embarrass or disparage Whitney, its employees, or museum collections.
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Rights in the Recordings. As between Lessor and Lessee, all rights of every kind in and to any materials created by ▇▇▇▇▇▇ in connection with its use of the Equipment or resulting therefrom, including, but not limited to, sound or photographic recordings, (the "Recordings,,) shall be and remain the sole and exclusive property Lessee and its successors and assigns. Such rights shall include, without limitation, the perpetual and irrevocable right and license to use and re-use said Recordings in connection with any audio-visual productions as Lessee may elect, including the Production, and in connection with advertising, publicizing, exhibiting, merchandising, distributing and exploiting such audio-visual productions in any manner whatsoever and at any time by all means, media, devices, processes and technology now or hereafter known or devised in perpetuity throughout the universe. Neither Lessor nor or any of its employees, agents or affiliates or other party now or hereafter having an interest in said Equipment shall have any right of action against Lessee, its successors, assigns and/ or any other party arising out of any use or non-use of the Recordings. Neither Lessee, nor its successors, assignees or licensees shall be obligated to make any actual use of any Recordings, depictions or other results or proceeds from use of the Equipment in the Production, any motion picture or otherwise.
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Rights in the Recordings. Producer shall own all right, title, and interest, including copyrights, in and to the Recordings, and any related materials created by Producer hereunder, for use in any manner or media now or hereafter known or invented throughout the world in perpetuity, subject to the Museum’s sole ownership of all existing intellectual property of the Museum, and each applicable rights holder’s ownership of any third-party intellectual property (including, without limitation, the works of art on display at the Museum) that may be depicted in the Recordings. The Recordings may only be used for the Project, and for promotion of the Project and not in any other context. Any additional uses or permissions must be agreed in writing prior to the commencement of the Recordings. Producer will not use the Recordings in any way that would tend to embarrass or disparage Whitney, its employees, or museum collections. Releases, Third Party Rights: Producer shall obtain all third-party consents necessary for the use of the Recordings in the Project, including, without limitation, all consents from any persons, or the copyright holders of any works of art, depicted in the Recordings (“Releases”). Nothing in this Agreement may be construed as a representation from Museum to Producer that any artwork or other material on the Museum premises is free of third party restrictions, including copyright interests or lender conditions. Any rights granted by Museum to Producer hereby are in the nature of a quit claim. Accordingly, as a precondition to the exercise of all rights granted herein, it is the express obligation of Producer to determine whether any material filmed/photographed in connection herewith is subject to copyright or other protection, including without limitation rights of publicity, privacy or other rights of persons appearing in the Recordings, and to clear all rights to reproduce any such protected material with the appropriate rights holders as required by law.
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Rights in the Recordings. Developer may not use or authorize any part of the Performer’s voice recordings upon which the Digital Voice Replica is based, other than in connection with creating the Digital Voice Replica, without separately bargaining the terms and conditions of the use with SAG-AFTRA and the affected Performer(s).
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Related to Rights in the Recordings

  • Recordings The Client and the Service Provider consent to telephonic or electronic recordings for security and quality of service purposes and agree that either may produce telephonic or electronic recordings or computer records as evidence in any proceedings brought in connection with this Agreement.

  • Filings, Registrations and Recordings Each document (including any Uniform Commercial Code financing statement) required by the Security Documents or under law or reasonably requested by the Administrative Agent to be filed, registered or recorded in order to create in favor of the Administrative Agent, for the benefit of the Lenders, a perfected Lien on the Collateral described therein, prior and superior in right to any other Person (other than with respect to Liens expressly permitted by Section 7.3), shall be in proper form for filing, registration or recordation.

  • Tape-recording Trust authorizes the Custodian to tape record any and all telephonic or other oral instructions given to the Custodian by or on behalf of the Trust, including from any Authorized Person. This authorization will remain in effect until and unless revoked by the Trust in writing. The Trust, upon request, further agrees to solicit valid written or other consent from any of its employees with respect to telephone communications to the extent such consent is required by Applicable Law.

  • Filings and Recordings The Administrative Agent shall have received all filings and recordations that are necessary to perfect the security interests of the Administrative Agent, on behalf of the Secured Parties, in the Collateral and the Administrative Agent shall have received evidence reasonably satisfactory to the Administrative Agent that upon such filings and recordations such security interests constitute valid and perfected first priority Liens thereon (subject to Permitted Liens).

  • Rights to Intellectual Property This Data Agreement does not give Service Provider any rights, implied or otherwise, to CDI, data, content or intellectual property except as expressly stated in any underlying agreement between the parties. This includes but is not limited to the right to share, sell or trade CDI. The District acknowledges that this agreement does not convey any intellectual property right in any of Service Provider’s materials or content, including any revisions of derivative work or material. Service Provider-owned materials shall remain the property of the Service Provider. All rights, including copyright, trade secrets, patent and intellectual property rights shall remain the sole property of the Service Provider.