Common use of Run-Through Rehearsal Clause in Contracts

Run-Through Rehearsal. ‌ The term "Run-Through Rehearsal" is defined as a rehearsal where the intent is to dance a section(s) of a ballet(s) or a complete work in its entirety. A Run-Through Rehearsal may take place in costumes on a Rehearsal Day or Performance Day without make-up, provided there be a "fifteen-minute call" on either side of the Rehearsal whether it happens in a studio or on stage, which shall be considered part of normal rehearsal time for the purpose of putting on costumes. The requirement for a “fifteen-minute call” on either side of the Rehearsal, whether it happens in a studio or on stage, shall be considered part of normal rehearsal time for the purpose of putting on costumes and applies to all casts. A Run-Through Rehearsal may be three-and-a-half (3-1/2) hours in length including the two (2) fifteen-minute calls without incurring overtime. On a Performance Day, when the time of rehearsal permitted in Clause 25:03(C) is exceeded only by reason of one or both of the fifteen-minute call allowances for the putting on and removal of costumes and the ballet being rehearsed is a full-length version of ▇▇▇▇▇ and ▇▇▇▇▇▇ or a full-length version of Swan Lake, no overtime payment will be required. The second fifteen-minute call must be given following the completion of a run- through in costume(s) after which the Artist involved may be asked to rehearse other ballets which are not in costumes.

Run-Through Rehearsal. ‌ The term "Runrun-Through Rehearsalthrough rehearsal" is defined as a rehearsal where the intent is to dance a section(s) of a ballet(s) or a complete work in its entirety. A Runrun-Through Rehearsal through rehearsal may take place in costumes on a Rehearsal Day rehearsal day or Performance Day performance day without make-up, provided there be a "fifteen-minute call" on either side of the Rehearsal rehearsal whether it happens in a studio or on stage, which shall be considered part of normal rehearsal time for the purpose of putting on costumes. The requirement for a “fifteenA run-minute call” on either side of the Rehearsal, whether it happens in a studio or on stage, shall be considered part of normal through rehearsal time for the purpose of putting on costumes and applies to all casts. A Run-Through Rehearsal may be three-three- and-a-half (3-1/2) hours in length including the two (2) fifteen-minute calls without incurring overtime. On a Performance Dayperformance day, when the time of rehearsal permitted in Clause 25:03(CRule 25.03 (C) is exceeded only by reason of one or both of the fifteen-minute call allowances for the putting on and removal of costumes and the ballet being rehearsed is a full-length version of ▇▇▇▇▇ and ▇▇▇▇▇▇ or a full-length version of Swan Lake, no overtime payment will be required. The second fifteen-minute call must be given following the completion of a run- run-through in costume(s) after which the Artist involved may be asked to rehearse other ballets which are not in costumes.