Creative Control Clause Samples
The Creative Control clause defines who has the authority to make decisions regarding the artistic and creative aspects of a project or work. Typically, this clause specifies whether the creator, producer, or another party has the final say over elements such as design, content, style, or presentation. For example, in a film contract, it may determine whether the director or the studio controls the final edit. The core function of this clause is to prevent disputes by clearly allocating decision-making power over creative matters, ensuring that all parties understand who is responsible for the project's creative direction.
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Creative Control. The ARTIST shall have exclusive control over all creative elements of the engagement including, but not limited to, the following: audio, lighting, curtains, staging, set pieces, quantity and type of musicians, repertoire, length of performance*, supporting/opening acts, presenters and speakers (including master of ceremonies and welcoming speakers) and their length of performance, and any ancillary music, film or videotape played to patrons at any time. All pre- and post-show activities must be approved, in advance, by the ARTIST. * Theaters & Performing Arts Centers: One (1) seventy-five (75) to ninety (90) minute set with NO * Clubs: One (1) sixty (60) minute set with NO INTERMISSION
Creative Control. The parties acknowledge that NYSERDA possesses final creative control over all content including that which is developed by Contractor.
Creative Control. The Participant agrees and acknowledges that all Performances and Recordings are produced, directed and otherwise controlled by IndianRaga or its third party contractors. IndianRaga may combine or create extracts from Recordings without restriction, which resulting combination or extract will also be a “Recording” hereunder. The Participant shall cooperate with IndianRaga’s personnel, shall not interfere with the conduct of IndianRaga’s business or the Fellowship Program and shall observe all rules, regulations and security requirements of IndianRaga concerning the safety of persons and property.
Creative Control. Notwithstanding anything herein to the contrary, Advertiser recognizes that Creator retains all artistic and creative control in connection with the Content Production, and may decide for subjective reasons to shoot or edit the Content Production in such a way that the Product and/or the Mark(s) may not appear or may not appear readily recognizable in the U.S. Content Production version. Advertiser understands and agrees that it shall have no rights against Creator, at law or in equity (including, but not limited to, any right to rescind or terminate this Agreement or to enjoin or restrain Creator's exploitation of the Content Production in any manner whatsoever), as a result of Creator's use and/or non-use of the Brand/Product and, to the full extent permitted by law, hereby irrevocably waives all such rights.
Creative Control. 4.1 The parties agree to meet from time to time as agreed between the parties to consult in good faith with each other over the editorial content and artistic direction of the Film that the Government shall, in its absolute discretion but with full discussion with you and giving good faith consideration to your views as a professional production company, have final editorial and artistic control over the Film.
4.2 The Contact shall have the right on your behalf to accept as satisfactory the story outlines, scripts, voices, storyboards, design and music of the Film and the Government shall be responsible for the cost of any lengthening of the production schedule or budget increase necessitated by the exercise of such right, other than the cost of changes arising from your acts or omissions. The Contact will also be available to provide hands-on assistance during filming.
4.3 You will submit to the Government details of the scripts, voices, storyboards, design and music for the Film for review and acceptance by not later than [DATE] and the Government shall confirm either its acceptance or non-acceptance with reasons in writing within 5 Business Days after receipt of such details. If you do not receive notice of such acceptance or non-acceptance within that period of 5 Business Days, the Government shall be deemed to have accepted such details, which will then form part of the Materials.
4.4 If the Government declines to accept any of the Materials, you will then have 7 days in which to make all necessary changes to them, in consultation with the Government, the Government having given written reasons for non-acceptance. You will then submit to the Government the revised material or replaced materials and the provisions of clause 4.3 and this clause 0 will apply again save that any further request for amendment by the Government after the second review shall be subject to charge by you to cover reasonable costs necessarily incurred as a result of the second non-acceptance, such costs to be paid within 30 days of the Government 's receipt of a valid invoice for them.
4.5 The Contact shall have the opportunity to accept, or refuse to accept, the Film at rough cut and fine cut stage on DVD delivered in hard copy or posted online for online review at your cost. Subject to dates being agreed in advance, the Government shall be entitled to request within a period of 5 Business Days from receipt of each of the rough cut and fine cut of the DVD respectively, reasona...
Creative Control. Subject to Buyer’s approval of the Budget with respect to the financing of the Picture described in Section 7.1, and subject to the Buyer’s appointed Executive Producer’s consultation rights, Issuer shall have complete creative decision control over the Picture.
Creative Control. Creator shall have final creative control over the Content and final cut of the released film.
Creative Control. Client has artistic and creative control over any work product produced using MPT services. MPT cannot guarantee the quality of Client’s work product.
Creative Control. Any changes to the Format need Bavaria Entertainment’s prior written approval, which will not be unreasonably withheld and will automatically become the property of Bavaria Entertainment subject to the regulations of Czech Copyright Law.
Creative Control. The parties agree to meet from time to time as agreed between the parties to consult in good faith with each other over the editorial content and artistic direction of the Audiovisual Recording provided that the Client, in its absolute discretion [but with full discussion with the Producer and giving good faith consideration to the Producer’s views as a professional production company], have final editorial and artistic control over the Audiovisual Recording. The Client shall appoint a representative (Client Representative) who shall have the right on behalf of the Client to accept as satisfactory the story outlines, scripts, voices, storyboards and design of the Audiovisual Recording and the Client shall be responsible for the cost of any lengthening of the production schedule [or budget increase] necessitated by the exercise of such right, other than the cost of changes arising from acts or omissions of the Producer. The Client Representative will also be available to provide hands-on assistance during filming. The Producer will submit to the Client details of the scripts, voices, storyboards, design and music for the Video Audiovisual Recording for review and acceptance by not later than [*] and the Client shall confirm either its acceptance or non-acceptance with reasons in writing within [*] Business Days after receipt of such details. If the Producer does not receive notice of such acceptance or non-acceptance within that period of [*] Business Days, the Client will be deemed to have accepted such details, which will then form part of the Audiovisual Products. If the Client declines to accept any of the Audiovisual Products, the Producer will then have seven days in which to make all necessary changes to them, in consultation with the Client, the Client having given written reasons for non-acceptance. The Producer will then submit to the Client the revised material or replaced materials and the provisions of 53.3. and this 53.4. will apply again save that any further request for amendment by the Client after the second review shall be subject to charge by the Producer to cover reasonable costs necessarily incurred as a result of the second non-acceptance, such costs to be paid within 30 days of the Client's receipt of a valid invoice for them. The Client's Representative shall have the opportunity to accept, or refuse to accept, the Audiovisual Recording at rough cut and fine cut stage on DVD delivered in hard copy or posted online for online review ...