Preparation for Sample Clauses

Preparation for. ‌ The Artist shall arrive at the first staging rehearsal for a production knowing by memory the music and text of the role for which the Artist has been engaged. All chorus scores must be provided by and returned to the Engager. If an Artist is engaged to perform a work outside the standard repertoire for which the translation or vocal score is not readily available at retail outlets, then the Engager must provide the score at least eight (8) weeks prior to the beginning of rehearsals. Except in the case of new works, the Engager shall notify the Artist of the translation, version, cuts, interpolations, dialogue additions and/or deletions, and cadenzas of each opera assigned at the time the Opera Agreement Engagement Contract is signed. If not yet known, the Engager shall provide the Artist with all foregoing information at least six (6) weeks prior to the first rehearsal of said opera. Failure to so notify shall render the following paragraph null and void. In the event that the Artist is inadequately prepared to rehearse and/or perform by reason of not knowing the text and music by memory of the role for which the Artist is engaged, the Engager may schedule special coaching outside the rehearsal hours at the Artist's expense in which case Equity shall be immediately notified. Should the Artist remain inadequately prepared to rehearse and/or perform, after receiving coaching, the Engager may request Equity's permission to terminate the Artist's Opera Agreement Engagement Contract. When Equity agrees to the termination of the Artist's Opera Agreement Engagement Contract, the Artist shall be paid such expenses and remuneration as agreed between Equity and the Engager. In the event that Equity and the Engager fail to reach agreement concerning the payment of such expenses and remuneration, then Equity may request that the dispute be arbitrated.

Preparation for. The Artist shall arrive at the first staging rehearsal for a production knowing by memory the music and text of the role for which the Artist has been engaged. All Chorus scores must be provided by the Engager. Canadian Opera Agreement 2016-2019 Page | 26 If an Artist is engaged to perform a work outside the standard repertoire for which the translation or vocal score is not readily available at retail outlets, then the Engager must provide the score at least eight (8) weeks prior to the beginning of the rehearsals. Except in the case of new works, the Engager shall notify the Artist of the language, translation, version, proposed cuts and dialogue, of each opera assigned at the time the COA Engagement Contract is signed. If not yet known, the Engager shall provide the Artist with all foregoing information at least six weeks prior to the first rehearsal of said opera. Failure to so notify shall render the following paragraph null and void. In the event that the Artist is inadequately prepared to rehearse and/or perform by reason of not knowing the text and music by memory of the role for which the Artist is engaged, following notification to Equity, the Engager may schedule special coaching outside rehearsal hours at the Artist's expense. Should the Artist remain inadequately prepared to rehearse and/or perform, after receiving coaching, the Engager may terminate the Artist's COA Engagement Contract, subject to the terms of Article 33:00.

Preparation for. Handover For the final document handover of electronic files, such files shall be imbedded in a folder structure that replicates the document indices and categories defined elsewhere in this Attachment B. The “file name” shall be the assigned document number, and the following information shall be ascribed to the files as metadata: • Document title; • Originating computer program (e.g., MS Word, AutoCAD); • Discipline (e.g., electrical, process, construction); • Revision Number; • Issuance Date; • Source Company (either Contractor or Subcontractor);

Preparation for. Back-to-School Night". Unit members at each site will meet with their site administrator(s) to mutually design and implement programs that invite and encourage parent participation. 8.6.1.1 The programs may include a continuation of "traditional" formats for Back-to-School, parent conferences. The respective parties may implement alternative programs which best meet parent, student and staff objectives at their individual sites. 8.6.1.2 The programs affected at a site will include the participation of unit members at that site and will be held at a time that maximizes parent attendance.

Preparation for. Electronic Databases Schedule B-1 includes as part of the Documents certain electronic models, simulations, and database files. Such Documents shall be provided in fully native format along with all associated setup, configuration and reference files necessary to assure full functionality. In addition, no such models, simulations or database files shall be restricted by password protection or other security features that in any way limits their functionality.

Preparation for. The Artist shall arrive at the first staging rehearsal for a production knowing by memory the music and text of the role for which the Artist has been engaged. All Chorus scores must be provided by the Engager. If an Artist is engaged to perform a work outside the standard repertoire for which the translation or vocal score is not readily available at retail outlets, then the Engager must provide the score at least eight (8) weeks prior to the beginning of the rehearsals. Except in the case of new works, the Engager shall notify the Artist of the language, translation, version, proposed cuts and dialogue, of each opera assigned at the time the Equity engagement contract is signed. If not yet known, the Engager shall provide the Artist with all foregoing information at least six weeks prior to the first rehearsal of said opera. Failure to so notify shall render the following paragraph null and void. In the event that the Artist is inadequately prepared to rehearse and/or perform by reason of not knowing the text and music by memory of the role for which the Artist is engaged, following notification to Equity, the Engager may schedule special coaching outside rehearsal hours at the Artist's expense. Should the Artist remain inadequately prepared to rehearse and/or perform, after receiving coaching, the Engager may terminate the Artist's contract, subject to the terms of Article 33:00.

Preparation for and attendance at a dispute resolution proceeding or legal proceeding, except where the Construction Manager is party thereto; or