Recording Sessions Sample Clauses
The "Recording Sessions" clause defines the terms and conditions under which audio or video recording sessions will take place. It typically outlines the scheduling, location, duration, and participation requirements for the sessions, and may specify responsibilities such as providing equipment or personnel. By clearly establishing the expectations and logistics for recording, this clause helps prevent misunderstandings and ensures that all parties are prepared and accountable for their roles during the sessions.
POPULAR SAMPLE Copied 2 times
Recording Sessions. The conditions of this Article shall not apply provided that Equity agrees with the Engager that the Artist in question is used for the purpose of background only, or is not recognizably featured. Such recording sessions must take place during regular rehearsal hours. 38:00 PRESERVED PERFORMANCES (RECORDINGS) AND BROADCASTS
38:01 Scope This Article covers the recording (preservation) of the audio and/or visual aspect of a production in whole or in part through the use of any and all devices now in existence and yet to be developed. The resulting product shall hereafter be referred to as a recording. The Artist may not be required to take part in the recording or broadcast. This Article also covers the broadcast or transmission of a production whether by means of the reproduction of a recording or by means of a "live" broadcast. This Article shall apply whether the recording is made at or the broadcast emanates from the theatre or elsewhere, and regardless of the use made of same at any time thereafter.
Recording Sessions. Unless written consent is provided by both you/Legal Guardian and your provider, RCC does not permit the audio or video recording of any of our services. There may be appropriate circumstances in which your provider may request to record sessions for training or supervision purposes. This request will always require written consent and consent may be revoked at any time in writing. Recording any sessions without your provider’s knowledge and written consent will result in immediate termination from services.
Recording Sessions. 2.1 A recording session shall be either:
2.1.1 Three hours in duration, including a break of not less than 15 minutes, a maximum of 21 minutes of music recorded at such session may be used by the Producer. The minimum fee for a three hour recording session shall be £175.00.
2.1.2 Four hours in duration, including a break of not less than 20 minutes, a maximum of 28 minutes of music recorded at such session may be used by the Producer. The minimum fee for a four hour recording session shall be £235.00. Note: Late Payment of Commercial Debts (Interest) ▇▇▇ ▇▇▇▇. Interest at 8% above the UK clearing banks base rate is applicable to all Fees paid late.
2.2 Overtime (in no event to exceed 30 minutes) shall only take place for the completion of a work or title commenced during the recording session and subject to the agreement of the Performer(s). Overtime shall be paid pro rata at the rate of 150% of the recording session fee.
Recording Sessions. The candidates who enroll on the ONLINE CELTA course understand that: I have read and accept these conditions Date Signature ▇▇▇▇▇▇ ▇▇▇▇▇▇▇▇▇ (recruitment and Main Course Tutor) Candidates are ineligible for the CELTA award in cases where dishonesty or plagiarism are brought to the attention of Cambridge TQ. PLAGIARISM POLICY (assignments & lesson plans) Failure to comply with the above anti-plagiarism guidelines may result in severe penalties outlined below. First incident
Recording Sessions by the duration of the Performance(s) required for later use in the Content;
Recording Sessions. Orchestrators will not be required to attend recording sessions. If the orchestrator(s) is specifically requested by the Leader, the Employer or an agent of the Employer to attend or assist in the scoring session, thereby expediting the recording process, the orchestrator(s) shall be paid not less than the applicable recording musician scale (3 hour minimum) and treated as a session musician relative to those wages and benefits.
Recording Sessions. 2.1 A recording session shall be either:
2.1.1 Three hours in duration, including a break of not less than 15 minutes, but no more than 21 minutes of music recorded at such session may be used by the Producer.
2.1.2 Four hours in duration, including a break of not less than 15 minutes, but no more than 28 minutes of music recorded at such session may be used by the Producer.
2.1 Overtime (in no event to exceed 30 minutes) shall only take place for the completion of a work or title commenced during the recording session with the agreement of the Performers.
Recording Sessions. Recording sessions under the AFM National Phonograph Record Labor Agreement shall be in addition to regular weekly services required of Musicians, but shall be counted as services for purposes of Article IV. The Employer agrees to establish, in consultation with the MOMC, reasonable guidelines for the scheduling of recording sessions. There shall be no recording sessions on the day of a Runout. Compensation for recording sessions shall be at the minimum symphonic rate effected by the AFM except as a higher rate may be provided for in individual contracts between Musicians and the Employer.
Recording Sessions. Musicians shall be notified of recording sessions as early as possible and in no instance less than one (1) week in advance.
Recording Sessions. Musicians engaged for miming shall be subject to a minimum Call of four (4) hours and a maximum Call of ten (10) hours, inclusive of a one (1) hour meal break. The aforesaid meal break shall not be paid if all personnel including the Musician(s) engaged on the Work receive the same break simultaneously. Conversely, if the engagement for the Work is based on a continuous shoot day and personnel including the Musician(s) engaged on it receive the break on an ad hoc basis the meal break shall be paid).