Video Levels Clause Samples

The "Video Levels" clause defines the technical standards or specifications for the brightness, contrast, and color range of video content delivered under an agreement. Typically, it sets out acceptable parameters for video signal levels, such as black and white points or color saturation, to ensure compatibility with broadcast or streaming requirements. By establishing these standards, the clause helps prevent quality issues and ensures that all delivered video meets industry norms, thereby reducing the risk of rejections or the need for costly corrections.
Video Levels. (a) Reference color bars shall be a true indication of each Included Program’s chroma gain and phase, burst and sync amplitude, video and pedestal levels. (b) Peak picture level shall not exceed limits per SMPTE 274M.
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Video Levels a. Reference color bars shall be a true indication of the Included Program’s chroma gain and phase, burst and sync amplitude, video and pedestal levels. As such, these color bars should be dubbed from the original source tape rather than added during the dubbing process. b. Chrominance levels shall nominally be 100 IRE Peak chrominance shall not exceed 105 IRE units.
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Video Levels. Reference color bars shall be a true indication of the program’s chroma gain and phase, sync amplitude, video and pedestal levels. A1 - Peak chrominance shall not exceed 110 IRE units. A2 - Peak luminance shall not exceed 100 IRE units. A3 - Pedestal shall not exceed 7.5 IRE units. Blanking: B1 - Horizontal blanking shall be at 10.8 ±.02 micro seconds, maximum B2 - Vertical blanking shall be at 21 ± 0.5 lines, maximum. B3 - Both horizontal and vertical blanking shall meet RS170A specifications for NTSC B4 - Programs available with line 21 captioning shall be delivered with captioning intact. B5 - Captions must conform to specifications described in EIA document #608. Luminance level of the line 21 data must be 50 IRE ± 5 IRE. 40 IRE units, maximum. Set Up/Black Level: 7.5 IRE units, maximum E1 - Maximum Luminance: 700 mV E2 - Minimum Luminance: 0 mV E3 - Range: 700 mV E4 - Maximum Chrominance: 350 mV E5 - Minimum Chrominance: -350 mV E6 - Range: 700 mV E7 - Sync: -300 mV E8 - Peak to Peak : 1 Vpp Luminance: If Master contains character generator or graphics inserted material, the following specifications shall be met: F1 - Peak luminance shall not exceed 90 IRE. F2 - Peak-to-peak chrominance shall not exceed 50 IRE. F3 - Peak chrominance plus luminance shall not exceed 100 IRE. The audio dynamic range of program material must be suitable for television broadcast. Average should be between -20dB and -10dB. Instantaneous audio peaks shall not exceed +10dB over average level. The M&E track must be in synchronization with the video and any dialogue track. Along with the color bars, there must be a 1 kHz tone recorded at -20dB level and the program audio must reference the tone at the beginning of the tape. The tone must be on all 4 audio channels. All audio shall be recorded with Dolby NR. Additional Considerations For SD Materials Delivered on Tape. Digital Betacam NTSC tape, in 525 line NTSC format, with SMPTE Drop Frame time code. No audio element can be delivered separate from the video element. A minimum of 60 seconds of color bars and test audio tone shall be recorded on the head of the tape. The test signals must accurately reflect the program material recorded on the program tape.
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Video Levels. Reference color bars shall be a true indication of the Included Program’s chroma gain and phase, burst and sync amplitude, video and pedestal levels. As such, these color bars should be dubbed from the original source tape rather than added during the dubbing process. Chrominance levels shall nominally be 100 IRE Peak chrominance shall not exceed 105 IRE units. Blanking. Horizontal blanking and vertical blanking shall meet SMPTE 274M specifications. Solely with respect to 4:3 full frame versions, Picture Masters made available with line 21 closed captioning shall be made available with all captioning intact. Video Performance. The Picture Master shall meet ITU-601 specifications and conform to SMPTE 259M. SNR > 62dB (CCIR WTG). Differential phase < 2°, differential gain < 2%. K factor (2T Pulse) < 1%. The Picture Master shall not contain visible analog artifacts such as excessive moiré, microphonics, lag, bloom, banding, or velocity errors. The Picture Master shall not contain visible headswitching, tape scratches, or dropouts. Artifacts from image manipulation devices shall be kept to a minimum. Time compression (tape-to-tape or film-to-tape variable speed) or noise reduction techniques shall not be utilized in generating a Picture Master. The Picture Master shall not contain digital artifacts such as pixelization, posterization, or other anomalies.
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