Use of Recordings by the Artist Sample Clauses

Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to ten (10) minutes of material recorded in accordance with Clause 38:02(A) and used in accordance with Clause 38:02(B), per production, to an Artist for his/her own individual use, including but not limited to self-promotion, social media, etc. 2016-2019 National Ballet of Canada Agreement | Page 58 The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website. provided that: (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (not for use on the internet) for the Artist’s self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc. The Engager shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in his/her request to the Engager, or for any other uses. For the purposes of this clause, “Artist” shall include other Artists (such as designers) whose artistic contribution to the production is represented in the recorded material. The Engager shall be responsible for securing the appropriate written permissions from all Artists.
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Use of Recordings by the Artist. BOTH Where the Theatre is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Theatre may agree to provide a copy of the recorded material to an Artist for their own individual souvenir or promotional use. The Theatre may levy a nominal charge for a hardcopy of still images. If copies are available in digital format, such copies shall be provided upon request to the Artist at no charge.‌ The Artist shall declare in writing the nature of the limited purposes for which the recorded material may be used. The Theatre shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in their request to the Theatre, or for any other uses. For the purposes of this clause, “Artist” shall include other artists (such as designers) whose artistic contribution to the production is represented in the recorded material. The Theatre shall be responsible for securing the appropriate written permissions from all Artists.
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Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to up to five (5) minutes of edited rehearsal footage and five (5) minutes of edited performance footage recorded in accordance with Clause 38:02 to an Artist for their own individual use, including but not limited to self- promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist's zone of social media websites; and/or (iii) the Artist's own website, provided that: (a) the Artist uses their best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material; and (c) The Artist warrants that they are responsible for any misuse of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (including use on the internet) for the Artist's self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc.
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Use of Recordings by the Artist. Where the Engager has the contractual clearances to do so, and at the request of the Artist, and with the contractual consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to five (5) minutes of rehearsal material and five (5) minutes of performance material recorded in accordance with 47:02(B) without any additional editing to an Artist for his/her own individual use, including but not limited to self-promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website, provided that: (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material.
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Use of Recordings by the Artist. ‌ At the request of the Artist, the Engager shall provide up to maximum of five (5) minutes of recorded material made pursuant to this Agreement to an Artist for his/her own individual souvenir or promotional use. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; (ii) the Artist’s zone of social networking websites; (iii) the Artist’s own website, provided that (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; (b) no revenue is generated from the viewing of the material; and (c) the names of all Artists appear in the material or appear prominently in the description or framework of the material. The Engager shall not be responsible for any subsequent misuse of the recording, either by the Artist or stemming from the use of the recording by the Artist. However, the Engager and/or Equity reserve the right to require the Artist to remove the material from any website referred to above if the Engager, or another Artist who appears in the material, determines that the material is misused, or is otherwise used inappropriately.
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Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to up to five (5) minutes of edited rehearsal footage and five (5) minutes of edited performance footage recorded in accordance with Clause 38:02 to an Artist for their own individual use, including but not limited to self- promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist's zone of social media websites; and/or (iii) the Artist's own website, provided that:
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Use of Recordings by the Artist. At the request of the Artist, the Engager shall provide up to maximum of five (5) minutes of recorded material made pursuant to this Agreement to an Artist for his/her own individual souvenir or promotional use. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; (ii) the Artist’s zone of social networking websites; (iii) the Artist’s own website, provided that (a) the Artist uses his/her best efforts to ensure that the material cannot be downloaded; (b) no revenue is generated from the viewing of the material; and (c) the names of all Artists appear in the material or appear prominently in the description or framework of the material.
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Use of Recordings by the Artist. ‌ Where the Engager is empowered to do so, and at the request of the Artist, and with the consent of all Artists who appear or whose work appears in the recorded material, the Engager may provide up to ten (10) minutes of material recorded in accordance with Clause 38:02(A) and used in accordance with Clause 38:02(B), per production, to an Artist for their own individual use, including but not limited to self-promotion, social media, etc. The Artist shall confirm that the recording may not be modified or manipulated in any way, and may only be used as follows: (i) non-commercial, non-curated, generic content, open access video sharing websites; and/or (ii) the Artist’s zone of social media websites; and/or (iii) the Artist’s own website, provided that: (a) the Artist uses their best efforts to ensure that the material cannot be downloaded; and (b) no revenue is generated from the viewing of the material. Notwithstanding the ten (10) minute limitation noted above, the Engager will consider, upon request of the Artist, providing additional footage to the Artist for non-broadcast use (not for use on the internet) for the Artist’s self-promotion, including submissions to funding bodies, granting agencies, demo reels, etc. The Engager shall not be responsible for any subsequent misuse of the material, either by the Artist or stemming from the use of the material by the Artist whether such misuse arises from the use of the materials for the purposes set forth by the Artist in their request to the Engager, or for any other uses. The Artist shall fully indemnify, hold harmless and defend (collectively “indemnify” and “indemnification”) the Engager and its directors, officers, employees, representatives and independent contractors from and against all claims, demands, actions, suits, damages, liabilities, losses, settlements, judgments, costs and expenses (including but not limited to reasonable legal fees and costs), whether or not involving a third party claim, which arise out of or relate to: (i) Any breach of any representation or warranty of the Artist contained in this Clause, or (ii) Any breach or violation of any covenant or other obligation or duty of the Artist under this Clause.
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Related to Use of Recordings by the Artist

  • Use of Attachment Facilities by Third Parties Purpose of Attachment Facilities.‌‌ Except as may be required by Applicable Laws and Regulations, or as otherwise agreed to among the Parties, the Attachment Facilities shall be constructed for the sole purpose of interconnecting the Large Generating Facility to the New York State Transmission System and shall be used for no other purpose.

  • ADMISSIBILITY OF REPRODUCTION OF CONTRACT Notwithstanding the best evidence rule or any other legal principle or rule of evidence to the contrary, the Contractor acknowledges and agrees that it waives any and all objections to the admissibility into evidence at any court proceeding or to the use at any examination before trial of an electronic reproduction of this contract, regardless of whether the original of said contract is in existence.

  • Deliveries by the Buyer On the Closing Date, the Buyer will deliver, or cause to be delivered, to the Company and the Shareholder the following: (A) The Purchase Price by delivery of certificates for the four hundred fifty thousand (450,000) shares of Common Stock and Four Million Nine Hundred Eighty-four Thousand Five Hundred Sixteen Dollars ($4,984,516) as calculated on Exhibit A hereto, by cash, or certified or official bank check payable to the order of the Company, or by wire transfer of federal funds to the account of the Company, as the Company and Shareholder shall direct in writing on or before the Closing Date; provided, however, Buyer may, upon written agreement of all parties hereto, deduct from the cash portion of the Purchase Price and pay directly amounts due any creditor of the Company, including, without limitation, the Tax Liabilities (but excluding any amounts due for any of the Assumed Liabilities), in which event, evidence of such payment shall be presented at the Closing. Notwithstanding the foregoing, one hundred twenty thousand (120,000) of the four hundred fifty thousand (450,000) shares of Common Stock shall be delivered to the Escrow Agent to be held in accordance with the terms of the Indemnity Escrow Agreement, and one hundred fifty thousand (150,000) shares of Common Stock shall be delivered to the Escrow Agent to be held in accordance with the terms of the Revenue Shortfall Escrow Agreement. (B) Such instruments of assignment and assumption executed by the Buyer, as the parties hereto reasonably may determine necessary to effectuate the assignment to the Buyer of the Business Agreements and the assumption by Buyer of the Assumed Liabilities. (C) The Indemnity Escrow Agreement and the Revenue Shortfall Escrow Agreement, each duly executed by the Buyer and the Escrow Agent. (D) The Employment Agreement executed by Buyer. (E) Resolution of the Board of Directors of Buyer and Parent, authorizing the execution of this Agreement and other documents contemplated hereby and the transactions contemplated hereby. (F) Certificates issued by Parent to the Company or its designee, representing the Common Stock for that portion of the Purchase Price to be paid in Common Stock, which certificate shall be properly legended to reflect that the Common Stock represented thereby has not been registered under the Securities Act of 1933, as amended, and are subject to the terms of the Right of First Refusal Agreement. (G) The Right of First Refusal Agreement duly executed by Parent. (H) The Subscription Agreement duly executed by Parent.

  • No Manipulation of Market for Securities The Fund will not (a) take, directly or indirectly, any action designed to cause or to result in, or that might reasonably be expected to constitute, the stabilization or manipulation of the price of any security of the Fund to facilitate the sale or resale of the Securities in violation of federal or state securities laws, and (b) except for share repurchases permitted in accordance with applicable laws and purchases of common shares in the open market pursuant to the Fund’s dividend reinvestment plan, until the Closing Time, or the Date of Delivery, if any, (i) sell, bid for or purchase the Securities or pay any person any compensation for soliciting purchases of the Securities or (ii) pay or agree to pay to any person any compensation for soliciting another to purchase any other securities of the Fund.

  • Maintenance of Office and Transfer Books by the Depositary Until termination of this Deposit Agreement in accordance with its terms, the Depositary shall maintain in the Borough of Manhattan, The City of New York, facilities for the execution and delivery, registration, registration of transfers, combinations and split-ups and surrender of Receipts in accordance with the provisions of this Deposit Agreement. The Depositary shall keep books for the registration of Receipts and transfers of Receipts which at all reasonable times shall be open for inspection by the Owners, provided that such inspection shall not be for the purpose of communicating with Owners for an object other than the business of the Company, including without limitation a matter related to this Deposit Agreement or the Receipts. The Depositary may close the transfer books after consultation with the Company to the extent practicable, at any time or from time to time, when deemed expedient by it in connection with the performance of its duties hereunder or at the request of the Company, provided that any such closing of the transfer books shall be subject to the provisions of Section 2.06 which limit the suspension of withdrawals of Shares. If any Receipts or the American Depositary Shares evidenced thereby are listed on one or more stock exchanges in the United States, the Depositary shall act as Registrar or, with the written approval of the Company, appoint a Registrar or one or more co-registrars for registry of such Receipts in accordance with any requirements of such exchange or exchanges. The Company shall have the right, upon reasonable request, to inspect the transfer and registration records of the Depositary relating to the Receipts, to take copies thereof and to require the Depositary and any co-registrars to supply copies of such portions of such records as the Company may request.